大学英语词汇短语释义解析及例句 antihero
释义：
antihero n. 非英雄主角；反英雄
[ 复数 antiheroes ]
例句：
In his novel Chapaev and Void, the role of the antihero is to subvert the grand narration by rewriting the original.
在其长篇小说《夏伯阳与虚空》中，反英雄的作用体现在作家利用源文本中的某些资源来完成对宏大叙事的颠覆。
Its antihero and narrator, Balram Halwai, is a cocksure, uneducated young man, the son of an impoverished rickshaw driver.
作者通过自己的叙述塑造了一位非正派角色的主人公BalramHalwai，他是一个自大的、没有受过教育的年轻人，其父则是个贫穷的人力车夫。
The filmmakers had bucked conventional wisdom by casting Mr. Smith as a drunken antihero who needs as much help as he can offer others.
这些电影制作人打破了传统的思路，把史密斯塑造成了一个醉醺醺的，在帮助别人时更多的需要别人帮助的非传统意义上的英雄。
The grizzled ex-cop Mike, with his dry wisecracks and his Realpolitik masculinity, fulfills our antihero needs.
People describe Don as an antihero, but he is not—at least not to me.
Visually, the show frames Bernstein as a weighty cable antihero: the Tony, the Walter, the Don.
Beneath its stylized conventions, the show was a sharp allegory about masculinity—a twist on the antihero dramas that had colonized cable TV.
The show has shed its original skin, that of the antihero drama, in which we root for a bad boy in spite of ourselves.
The young antihero is arrested, and the Home Office or Ministry of the Interior introduces a form of aversion therapy guaranteed to eliminate criminal propensities forever.
And because, like Ian Fleming's antihero, James Bond (the mean-spirited book version, not the amusing movie one), Gillette engages us with his enviable panache and awesome courage.
The screenwriter, Michael Tolkin, who adapted his own dark 1988 novel, puts a morally tainted and psychologically vulnerable antihero in the middle of Hollywood, and it works.
In Thief, our antihero, Garrett, will have to use his wits to navigate the City, a dark steampunk world (what, you thought Dishonored was unique?) with a dash of medieval Europe.
Davis is 77 years old now, and he has spent more than half his life--43 years--running the Raiders, building the team into one of the richest franchises in football and creating one of the first antihero, unabashedly outlaw brands.
It keeps rolling as the antihero, studio production chief Griffin Mill (Tim Robbins), murders a screenwriter he thinks is threatening him, endures a police investigation, defends his corporate turf, and takes us through the process that can transform even a tough-minded flop into a potential smash hit.
In a reversal of the usual trajectory, he looked noticeably slimmer than he had at the end of his playing days, when his head and torso had appeared vaguely salt-swollen, but he retained that particular combination of detached cool and deep-seated insecurity which had made him a compelling antihero on the diamond for much of the past two decades.
